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Anton Lukoszevieze

Anton Lukoszevieze Anton Lukoszevieze
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Anton Lukoszevieze

Click here for Full-size publicity photo of the composer (right-click and save as... to download).

Born 31.10 .65

Cello studies at the Royal College of Music, London (1985-89), Dip. RCM (Perf/Teach.), with Michael Evans and Master Classes with William Pleeth. Contemporary music performance studies with Oliver Knussen at the Britten-Pears School (1992 & 1994).

Composers who have written for him are Gerhard Stäbler, Michael Parsons, Kunsu Shim, Christopher Fox, Geir Johnson, Philip Corner, Larry Polansky, Laurence Crane, Paul Rhys and Ross Lorraine. In 1999-2000 James Clarke, Helmut Oehring and Michael Parsons are composing new works for him and the composer Richard Ayres is writing a new work commissioned by Stichting Prime Foundation, Groningen, Holland for cello and inter-active CD-Rom to be premiered in 2000.

Anton Lukoszevieze is founder and Director of the ensemble Apartment House. Since its formation in 1995 Apartment House has rapidly established itself as the leading British exponent of avant-garde and experimental music from around the World. Its performances in the UK, USA and Germany have included many premieres of music by a wide variety of contemporary composers.

Richard Ayres is composing a new work for him commissioned by Stichting Prime Foundation, Groningen, Holland for cello and inter-active CD-Rom. Currently embarking on a film project with the film maker Jayne Parker for an Arts Council Tour, December 2000 of works by Helmut Oehring, Volker Heyn, John Cage and Morton Feldman.

Solo performances in 2000 will be in Germany (EARport), Danish Radio (Musica Nova), Ely Chapel, Cambridge. Norway (Ultima Festival), London and Chicago, USA.

In October 2000 he will be directing string workshops for the Ultima Festival, Oslo, Norway. He will also record a solo cello CD of music by Christopher Fox for the Metier label in October 2000.

Guest Music Director for 2 concerts of experimental music for the new ensemble Porto 2001 in Portugal (February 2001). Co-Director for Scrap/Schrott Event, EARPort, Duisburg, Germany, 2002. Regular cellist with MusikFabrik NRW.

Anton Lukoszevieze is also founder and Director of the ensemble Apartment House. Since its formation in 1995 Apartment House has rapidly established itself as the leading British exponent of avant-garde and experimental music from around the World. Its performances in the UK, USA, Denmark and Germany have included many premieres of music by a wide variety of contemporary composers.

He is also a Frog Peak Artist, Lebanon, New Hampshire, USA.

Anton Lukoszevieze

News

Anton Lukoszevieze and Apartment House's new address from 8th December will be :

Middleton House
8 South Green
Mattishall
Norfolk NR20 3JT

Tel/Fax - 01362 850848
Mobile - 0781 841 0322
Email apartment.house@ukgateway.net

Also Please Note !
6th December 20.00 Spacex Gallery, 45 Preston Street, Exeter.
To celebrate the opening of the exhibition FOXFIRE EINS by Jayne Parker
Anton Lukoszevieze will perform the world premiere of INNER for solo cello
by Christopher Fox (SW Arts Commission)

7 December 2000 - 20 January 2001
FOXFIRE EINS - JAYNE PARKER Exhibition.
Spacex will launch the tour of three new single screen 16mm films co-
comissioned with Film and Video Umbrella. The films continue Parker's
exploration of the relationship between music, film and the body. Although
at the forefront of artist film-makers now reaching new audiences through
television, this will be the first solo touring exhibition of Parker's work.
Cellist Anton Lukoszevieze performs in each of the three films. One is a
document of Lukoszevieze playing Helmut Oehring's FoxFire Eins, the 
second, a more personal film centred around the cello and featuring Blues 
in B-flat, a composition by Volker Heyn, and the third with the composition 
Projection 1 by Morton Feldman. The three films complement each other, 
concerned as they are with music and its relationship to film structures as 
well as, respectively, communication, the body and space. A retrospective 
publication, produced by Spacex, will accompany the tour, with essays by 
A.L Rees, Anthony Howells and Joan Key. Touring to the John Hansard 
Gallery, Southampton in January 2001 and additional venues. www.spacex.co.uk
A Co-commission with Film and Video Umbrella funded by the National Touring
Programme of the Arts Council of England. Publication produced by Spacex and
funded by the Arts Council of England.


Recordings


Performance Reviews/Interviews


Articles by Anton Lukoszevieze


Performance Work -- Solo Cello


Ensemble Work


Grant Awards


Solo Performances 1998/99


Solo Performances 2000


Critics

Tempo Magazine Review – Nicolas Hodges, December 1998

Anton Lukoszevieze: solo cello recital
23/3/98 Great Hall, King's College, London

Cellist Anton Lukoszevieze's recital in the Great Hall of King's College last March featured no less than three world premières, all of works written especially for Lukoszevieze. It included music of both great complexity and great simplicity, explicitly political music, apolitical music, and performances which were pure theatre (with no musical use of the instrument whatsoever - two pieces by George Brecht). Lukoszevieze's most immediately remarkable gift is to be able to present a concert of such wide range with such commitment and clarity: at every point it was transparently clear that the music was being presented in a balanced and sympathetic way.

For James Clarke's Independence the cello is tuned in scordatura throughout, while the writing is rich with quarter-tones. The bizarrely shifted ground which results immediately puts one off balance. Beyond this, the music continuously struggles to escape the open strings, while always being dragged back by the frequent use of open-string drones. Kunsu Shim's Before could not be more different. This was the world première and was a performance of immaculate poise. A short, whispering piece of ritualistic power, it succeeded in drawing the listener in with its disembodied sounds, so unlike a cello as to be mesmeric. Another world première was that of Gerhard Stäbler's Krusten/Crusts. The piece uses severely restricted means both instrumentally and musically but with great elemental energy - the cellist is required to play only the outer strings, bowing from underneath the strings, with musical material which was constricted to microtones within a tritone - and the resulting tension was remarkable in this performance, as well as disconcerting.

Abundant tension was also apparent in Klaus K. Hübler's Opus Breve. A work of astonishing complexity and difficulty, this was given two performances of great precision and commitment. The fractured, stuttering energy was akin to a violent centrifugal force constantly being pulled in.

Ross Lorraine's Movements and Acts - yet another world première - is an abstract work with echoes of both the American post-war and of the Kagel of the early string quartets. Using various unusual items to 'play' the instrument, the piece progresses in isolated episodes (the order decided by the performer during performance), each being not a short individual sound or gesture, but a long sound, often oscillating, and changing gradually - very imaginatively done, with a precise sense of theatre.

Unfortunately the remaining three pieces in the concert were all weaker than the earlier ones. However, what unified the recital was the even-handed treatment given all the pieces by Lukoszevieze. It is remarkable for a single performer to be able to display such understanding and sympathy with such a wide range of material, and I look forward to his turning his hand to still more areas of contemporary music.

Rheinische Post 21.9.99 (Germany)

Anton Lukoszevieze ist ein Virtuose auf dem Cello, der sich der Neuen Musik verschrieben hat und avantgardistische Partituren mit grosser Leichtigkeit spielt.

Corriere Adriatico 15.10.98 (Italy)

An unconventional performer, Lukoszevieze employs an astonishing range of techniques.

NRZ 30.6.98 (Germany)

Ein Portrait-Recital des Londener Cellisten Anton Lukoszevieze gehörte dabei zu den Höhepunkten des Abends. Zwischen changierende Klängen von Paul Rhys, einem mit analytischen Verstand interptierten Ricercare von Domenico Gabrielli und einem skurrilen opus von Gerhard Stäbler (Krusten 1997) pendelte die Skala seines sensiblen, vielseitigen Ausdrucksvermögen.


To reach the performer:
On-line: anton@apartmenthouse.fsnet.co.uk
By telephone/fax:
By mobile phone:
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